Causes and Implications of Etsuko’s Pidgin Identity in A Pale View of Hills

The paper proposes a theoretical analysis of A Pale View of Hills, using a psycho-literary approach to the themes of Japaneseness-Englishness, displacement, and the hybrid individual as they emerge from Kazuo Ishiguro’s novel. Etsuko’s pidgin identity results from the main character’s existential migration, which, in turn, stems from her experiencing and witnessing gender inequality, domestic abuse, and war trauma along with the gaping rift between generations. In line with Freud and Jung’s oneiric theories, the paper investigates Etsuko’s post-traumatic stress disorder in order to explain why the protagonist fails to face the suicide of her elder daughter, Keiko, whose avoidant-insecure behaviour might have worsened after her forced uprooting and immigration to England. Although the middle-aged expatriate Etsuko is willing to find new motivation for living, based on the unusual habit of the subconscious to get used to repetitive traumas, her pidgin identity, impossible to recalibrate, may affect her ability to heal.

Linguistic Analysis of Literary Narratives

The present study aims to reveal how evaluative meanings shape the depiction of Ukrainian emigration and women emigrants in Ukrainian literature of the early 2000s by employing Appraisal Theory developed within the framework of Systemic Functional Linguistics and subjecting excerpts from the following five novels to an in-depth linguistic analysis: Usi dorohy vedut’ do Rymu by Olesia Halych, Shliub iz kukhlem Pil’zens’koho pyva by Lesia Stepovychka, Ia znaiu, shcho ty znaiesh, shcho is znaiu by Irena Rozdobud’ko, Hastarbaiterky by Natalka Doliak, and Korotka istoriia traktoriv poukraiins’ky by Marina Lewycka. The authors employ various grammatical and lexical items to communicate their assessments of the emigrant women characters and the phenomenon of emigration from Ukraine. Appraisal Theory allows us to identify such linguistic realisations of evaluations and interpret authors’ attitudinal positions voiced or implied in text. This research is significant as the first study of its kind using Appraisal Theory to analyse literary texts written in Ukrainian thus expanding the theory’s reach and relevance. Additionally, employing linguistic techniques when assessing the depiction of women’s emigration and its agents enriches an analysis by providing a detailed and balanced perspective. The findings of this research contribute to the fields of literary studies, linguistics, and migration studies.

Poetics of Advocacy

The crux of feminist ideological alignments is the struggle for the woman’s liberation from patriarchal subjectivities. This study investigates the utilization of poetry by Patricia Jabbeh Wesley to challenge patriarchal dominance and expose the gimmicks of female devaluation by hegemonic imperialism. Wesley’s poems: “Inequality in Hell” and “My Auntie’s Woman-Lappa Husband” which sufficiently explore feminist consciousness from Wesley’s poetry collection, Where the Road Turns, were purposively selected and subjected to close reading and qualitative analysis. The poems were critically analyzed through the lens of postcolonial feminist literary criticism which examines issues of phallocentric structures, especially in formerly colonized states. The selected poems show the itchy pains of masculinity and devaluation of womanhood in canonical text. Wesley’s poetry invites her readers to a philosophical introspection of patriarchal order with respect to the unbalanced treatment of women in postcolonial Liberia. The poet, through her art, exposes the unfair imaging of women globally.

The Concealed Issues Submerging the Concept of Marriage- Present and Future Generations

The concept of marriage has undergone a transition presently when compared with the past. Norms, customs and traditions have also changed. Attitudes, choices and preferences of individuals contribute to these changes accompanied by education and modernization. Equality of women, social changes, and liberalized economy can be a few determinants contributing to the choices and preferences, yet fertility issues remain a nagging problem after marriage. The present trend highlights late marriages, and stress at home and works front for both genders, contributing to instability in marriages. These being certain issues, on one hand, increase in divorce cases, maintenance and custody of children, single parenting is another set of challenges, on the other hand. Hence, marriages are also riskier and those who embark on this journey are the successful lot. This paper primarily aims to identify the perception of youth about marriage as terminologies such as “Live in relationships”, “Friends with benefits”, etc., are in vogue. Secondly, the objective of this paper is also to study if “mid-life crisis” in both the genders accompanied by emotional, physical and psychological issues can be the causal determinants for various issues in marriage. Thirdly, the paper aims to study the causal effects between marriage issues, family laws and the country’s economy as there is a direct nexus between the three forces using appropriate research methodology tools and techniques.

Body or Face

During the last two decades, many thinkers on Iranian cinema have had many things to say about censorship, especially the issue of the veil imposed on women’s gender by the authorities in Iran.

In this paper, I will describe Hamid Dabashi’s narrative as related to the concept of “truth” to show further that the veil issue has reached a new phase in Iran. Although much of what Dabashi defines as the absented body of women in his article “Body less faces: Mutilating modernity and abstracting women in an ‘Islamic cinema’” may still hold, I believe his over-arching narrative doesn’t contribute enough to our understanding of the new relations among the authorities and actresses’ Fashion styles on red carpets. This paper’s method is connected with cultural and visual studies through Roland Barthes’ semiotics. I first focus on Hamid Dabashi’s conception of “truth” and how he believes “truth” is related to Islamic ideology and embodied in Iranian post-revolutionary cinema to further (through analysing photos of Iranian actresses’ clothing who attend festivals) conclude that Iranian women try to adopt new resistances in choosing their costumes compared to the early two decades of post-revolutionary Iran. The presence of Iranian women in festivals especially regarding what they wear has established a new interwoven relationship with authorities which has somewhat not been surveyed properly. By surveying the photos of their fashion and style I conclude that they are in constant negotiation with authorities through what they rebelliously wear.